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This is the word bank welcome evryone here are some words

Paranormal Activity 3
Car park
Balding
Regrow teeth
Breast Enlargement Frequency
Pyramid Scheme
Glove Compartment
War Criminal
Hair today.... gone tomorrow
Budget
i love my bichon frise
Trendy Hairstyle (Grandma Style)
Spreadsheet
Pregnancy
Personalised Cake
Tiny Shrunken Man Fetish
Powerful!!! Hypnosis Transform into Multi Storey Carpark
Quick 4 Minute fix for Neck Hump
Fix This! ------>

Named after a mountain in Switzerland, Muttler is part of a 1985 series called Deutschsprachige Gipfel (German-speaking peaks), featuring work Herold made from pairs of underwear stretched on wire armatures and placed atop pedestals of inexpensive particle board.
https://www.moma.org/collection/works/81081

I don't think this is interesting because it's cheap and 'inexpensive' materials with a title alluding to Mountains in switzerland. I think that's secondary to why it's good. It's aesthetically lovely. The colout of the pants with the particle board and the text of the word Muttler centrally placed is satisfying. The form of the pants is transformed and the sense of interiority and exteriority holes makes it visually interesting and the little legs rising it up off the plinth ahhh yummy yummy .... AND the photo is great not of the whole thingb but of the whole object on the plinth just keeping it simple mate centrally aligned but also with lots of space around it so the image can breath the object sings through this documentation and can reach even further audiences and live on. Sometimes sculpture isn't degraded by being photographed i think this does it justice but it would be lovely to experience in person.

Georg Herold
Muttler (1985)
Wire, underpants, and glue on base with lettering

Nina Beier
European Interiors (2018)
Ceramic Sinks, Cigars, Soap, Dirt, Bugs
Installation view, Spike Island, Bristol.

Sarah Lucas
Floppy Toilet (2018)
Cast Resin, Fridge

Puffiness roundness
cuteness
Inflated
Sianne Ngai's Aesthetic categories (Cute)
Fullness
Clothing tacks
Wing Nuts

I tend to be attracted to big, bulging forms. I think I conflate bigness with fullness and abundance — full ownership of desires, full embodiment, full fridges, fully grown, fully actualized. my own embodiment and life is kind of shrunken so bigness feels emboldening and spacious
- @pangmeli on twitter

Umm me too ? kind of also maybe not exactly I think i see roundness and associate it with gentleness as well as abundance n feels like a safe space

Michael Dean
Sic Glyphs (2016)

Yoshitomo Nara
Aomori Dog
In the snow :)

I wanted to make some ceramics but you know i think all i want to do is reupholster car seats :) Furniture and comfort foam things have that same kind of rounded form

Sebastian SEBASTIAN sebastian SEBASTIAN. Oh what lovely delicious work you make. And i'll tell you for why some of his work consists of these forms made up of foam which is clothing tacked together and scratched into these forms are nostalgic childrens illustrations with the same kind of gentle rotundness in the drawings as in the forms. In an interview he said something about like the inflated look because trends and things become inflated and then pop or something silly like that. That might not be the case or something picked on when viewing the artwork in person.... I just love them because they feel gentle and kind and warm... thats why i like those kind of shapes. also repetition in the clothing tacks. always lovely when dots things securings objects repeated

Nicholas Sullivan
Field, 2018,
Urethane Rubber, DiBond, Water, Steel, Bamboo, Rock, Epoxy Clay

Sebastian Jefford
Sleep Furiously 2019

Nicholas Cheveldave, Worm Hole pt. 5, 2019, photolaminate and mixed media on dibond, 180 × 122 × 3 cm

Anna Uddenberg
Pelvic Trust 2018
Mixed Media

Isa Genzken, Birth. 2008

Grace Woodcock
Gut Brain (2020)
Castor Gallery London

Anna Uddenberg
Disconnect (Airplane Mode) 2018

Anna Uddenberg, Cutesy Counts, 2015, mixed media.

Lina Viste Grønli, Time Piece (Sock), 2019

Zuma Series
John Divola

1977

Georg Herold
German, b. 1947

Bei den Baumwollspinnern, 1987.

Acrylic and wool threads on muslin.
80 x 61 cm. | 31.4 x 24 in.

Petroglyphs of St. Vincent and the Grenadines

Liu Shiyuan, A Shaking We No.2, 2018

Mycelium stool made by NASA

Lichen growing on articifial substrates
https://www.encyclopedie-environnement.org/en/life/lichens-pioneering-organisms/#:~:text=Lichens%20are%20pioneers%3A%20they%20have,date%20back%20to%20the%20Devonian.